Klap vs Opus Clip
On a per-month basis, Klap's entry plan costs $14 (billed yearly) for 100 clips, while Opus Clip's entry paid tier costs $15 monthly for 150 credits,
Last checked
On a per-month basis, Klap's entry plan costs $14 (billed yearly) for 100 clips, while Opus Clip's entry paid tier costs $15 monthly for 150 credits, measured on 23 August 2026.
Choose Klap if you upload long videos and want them cut into shorts automatically, and you prefer paying by clip count. Choose Opus Clip if you want to find the best moments inside footage you already made, with a free tier to test first. Choose neither if you have no source video at all and need one produced from a topic or script.
What each one does
Klap takes a long video you upload and cuts it into short clips. It is billed per clip, so the unit you pay for is the output itself rather than time spent in an editor. Its visuals come from your own upload; it does not generate new imagery.
Opus Clip finds clips inside a long video you already made. It works on supplied media and does not generate pictures of its own. It offers a free tier that does not require a card, which makes it usable as a trial before any payment.
Side by side
| Klap | Opus Clip | |
|---|---|---|
| What it makes | Shorts clipped from a long upload | Clips found inside a long video you already made |
| Where the pictures come from | User upload | Whatever you supply |
| Names its sources | No | Not applicable |
| Entry price | $14/month billed yearly (Basic, 100 clips/month); Pro $39/month yearly, 300 clips; Pro+ $94/month yearly, 1,000 clips | Free $0; Starter $15/month; Pro $29/month; Business custom |
| What it does not do | Does not generate video from a topic or script | Does not generate video from a topic or script |
Where Klap wins
Klap prices by clip, which makes cost predictable when your workflow is volume-driven. If you run several channels and feed each one a weekly long-form upload, the Basic plan's 100 clips per month gives you a fixed ceiling you can plan around. The Pro tier at 300 clips and Pro+ at 1,000 scale the same way, so doubling output means moving one tier up rather than renegotiating anything. Klap also suits creators who already own their footage. A podcaster with a two-hour episode does not need generation tools; they need the segment where the guest tells the story isolated, captioned and formatted vertically. Because every visual comes from the user's upload, there is no risk of generated imagery misrepresenting the source material, which matters for interview content, sports commentary and anything where accuracy of the picture carries weight.
Where Opus Clip wins
Opus Clip has a free tier, and it does not require a card to try. If you are deciding between clipping tools and have not committed budget, you can test it against real footage before paying anything. The Starter plan at $15 per month undercuts most paid entry points in this category while including 150 credits, enough for regular use on a single channel. Opus Clip also fits the creator whose bottleneck is selection rather than production. A streamer with hundreds of hours of VODs needs the tool to find the moments worth cutting; the work is discovery, not assembly. For that person, a tool built around finding clips inside existing video matches the actual job. The Business tier being custom-priced also means teams with larger volumes can negotiate rather than stack multiple personal plans.
What neither of them does
Both tools require a source video. Neither generates footage from a prompt, a script or a topic. If your input is an idea rather than an upload, both leave you to produce the base material yourself. Neither names the sources of its visuals, because neither sources imagery beyond what you supply. And neither handles publishing strategy: scheduling, channel management and audience growth sit outside both products. If you have no long videos to feed them, neither tool produces anything.
If neither fits
ViewMade turns a topic into a finished vertical documentary Short using real archive footage, maps and charts, with a media credit file naming each clip's source.
<!-- faq -->Frequently asked questions
Is Klap better than Opus Clip?
They do the same job differently. Klap bills per clip, with plans at 100, 300 and 1,000 clips per month. Opus Clip has a free tier and starts at $15 per month for 150 credits. Pick based on whether you want clip-count pricing or a free trial first.
Do either of them generate video from text?
No. Both work on video you supply. Klap clips a long upload; Opus Clip finds clips inside footage you already made. Neither creates new imagery from a prompt or script.
Which is cheaper?
Klap's entry plan is $14 per month billed yearly. Opus Clip's Starter is $15 per month, and its Free tier costs nothing without requiring a card. At the entry level the paid prices are close; only Opus Clip offers a zero-cost option.
Can I use these without uploading my own footage?
No. Both depend entirely on user-supplied video. If you have no source material, neither product can produce output.
What should I check before choosing?
Confirm which billing period each price refers to, since annual and monthly rates differ across this category. Then test both against the same long video: the tool that selects the segments you would have chosen yourself is the right one, regardless of list price.